Benoit-Swan Pouffer is a critically-acclaimed choreographer representing an innovative, less formalised approach to dance. Born and raised in Paris, he studied as a dancer at the prestigious Conservatoire National Superieur de Musique et de Danse. Early in his career he took first place in the Benetton European Dance Competition, a distinguishment that preceded seven years of dancing with the Alvin Ailey American Dance Theater, where he was a principal dancer.
Benoit-Swan then spent a decade as Artistic Director for the Cedar Lake Contemporary Ballet company which was named by the New York Times, “a New York success story, possibly the country’s most innovative contemporary ballet troupe with an A-list repertoire, and an accent on creation that few companies worldwide can match.” During his tenure as Artistic Director, Benoit-Swan demonstrated an impressive range of shows driven by a philosophy of combining skilled technique with unexpected forms of dance and drawing upon his wide network in the international ballet community to introduce audiences to world-class choreography. It was at Cedar Lake that he became known for his discerning eye for talented dancers and a vision of excellence.
A selection of his recent works includes Taboo, choreographed by Benoit-Swan and co-directed with Franco Dragone, a director known for his work with Celine Dion and Cirque du Soleil. With Dragone he choreographed Paris Merveilles, performed at the Lido on the Champs Elysee, one of the most famous cabarets in the world. He was also the main choreographer for Dragone’s new show La Perle in Dubai.
He was also featured in and created the dance sequences for the major motion picture The Adjustment Bureau, including original choreography for the film’s leading lady Emily Blunt. His work on the film earned him a 2011 Fred and Adele Astaire award nomination for Best Film Choreography.
Other works include Ellie Goulding AMEX Unstaged directed by Scarlett Johansson, and the popular American dance competition, So You Think You Can Dance. Additionally Benoit Swan choreographed Dangerous Beauty at the Pasadena Playhouse directed by Tony nominee Sheryl Kaller, and the musical Amazing Grace directed by Gabriel Barre and performed at Goodspeed Opera House.
Today Benoit Swan’s work is seen all over the world, from Broadway to the Lido in Paris to Macau, China. His talent for realizing a diverse breadth of productions continues to challenge the traditional audience experience, creating truly collaborative and innovative work between performer and audience.
Benoit Swan is currently the Artistic Director of Rambert, one of the world’s leading independent dance company in the United Kingdom.
Press
Teatro Valentino Garavani is (re)born in Voghera
Vogue Italia
★★★★ Note to Self review – transfixing journey through a failing memory
The Guardian
★★★★ ‘Peaky Blinders: The Redemption of Thomas Shelby’ review: an intoxicating stage show
NME
★★★★ Peaky Blinders: The Redemption of Thomas Shelby review – Rambert’s dancers descend into opium-fuelled despair
The Guardian
Rambert’s new boss: ‘It’s like a big mansion and I’m going to renovate it’
The Guardian
Arts in London 2019: The faces to watch in theatre, comedy, dance and art
Evening Standard
Benoit Swan Pouffer on Making a “Peaky Blinders” Ballet at Rambert
Dance Magazine
Benoit Swan Pouffer interview: ‘Beauty in dance gets old — we want individuality’
Evening Standard
Roots in New York, but Stretching to Europe: Cedar Lake Contemporary Ballet at Joyce Theater
New York Times
Rambert appoints Benoit Swan Pouffer as new Artistic Director
The Wonderful World of Dance
Sampling Imported Fare (and a Bit of Badminton)
New York Times